Signs You Should Walk Away From a Contract

6 Comments

One of the reasons many people get into freelance writing is to be their own boss. This gives them a certain amount of freedom in their work. Some people go into freelance writing believing that it is easier to walk away from a bad client than it is to walk away from a bad boss. In theory, this is true. A bad boss, you’re stuck with unless you quit your job. But, if you have a bad client you can drop him and find a new one.

Unfortunately, for a lot of writers it’s not that easy. Fear of finding new clients, concern about the loss of income or a desire to see a job all the way through may prevent them from leaving a client they don’t want to deal with.

Sometimes, the problem isn’t so much the client as it is the work requested. Maybe the project isn’t all that interesting, is incredibly time-consuming or is much more difficult than initially expected.

The problem with bad clients (or bad jobs) is they can make your life miserable and the truth is, you didn’t get into get into freelance writing to be stuck with bad jobs. You got into it so you could pick and choose your jobs. Knowing when to walk away from a contract (or to not continue a business relationship once a contract is finished) can go a long way to helping you be a happy freelancer.

Signs You Should Probably Walk Away from a Client or Contract

1. There have been problems getting paid by this client.

A little late once in a while is one thing (if you can stand that), months late with no explanation or interest attached to the pay is a bad sign. Another bad sign is if the client indicates any company cash flow problems. That’s a definite warning sign that you might not get paid for your work.

2. The thought of dealing with the client makes you feel sick.

It’s not worth it if you can’t stand the client.

3. You dread working on the project or you put it off until the last minute, hoping it’ll go away.

You should enjoy the work you do. It doesn’t all have to be rainbows and puppy dogs and happiness, but if you detest the project, you’re going to be miserable. Again, not the reason you became a freelancer.

4. The pay isn’t worth it.

5. The client expects you to do a lot of extra work without extra pay.

This includes spec work, where you do the work up front and then the client decides whether or not to hire you. In fact, if a potential client wants a lot of spec work, that’s a good sign to walk away. The potential client shouldn’t expect you to do work for free on the chance that he’ll become a paying client.

6. The client says anything that sounds like, “This work will be great experience for you” as a reason to pay you very little.

Similar phrases include “This will be great exposure for you,” and “I can’t afford a lot, but I’ll make sure to promote your work.” Translation: “I’m doing you a favour by hiring you for this project and to thank me, you should charge me very little.”

7. The client suddenly changes the terms of the contract or the work you’re hired to do without explanation or discussion.

This is a sign the client might try to get away with not paying you what was agreed in the contract or is trying to get more work out of you without extra pay. Any changes to the contract or the work included in the contract should be agreed to by both parties. Attempts to unilaterally change the agreement could be the start of trouble.

8. You have a bad feeling.

Trust your gut. If you have a bad feeling about a client or contract, listen to it. You’re probably right and continuing to work with the client could result in a lot of trouble.

For many writers, the decision to walk away from a contract is agonizing at best. To make it easier, decide what you will and won’t put up with and stick to that. When your client reaches the limit of what you’ll put up with, walk away. Then, make a mental note about what went wrong so you can avoid similar situations in the future.

How to go about leaving a contract is another thing. We’ll deal that with in a different post.

Stop Treading Water

4 Comments

When I tell people I’m a freelance writer, one of two thoughts goes through their head: They either think that I am ridiculously wealthy, living the life of Stephen King, making money in my sleep, showing up at my home office at 11:00 am and working until approximately noon, when I take lunch with my other fabulously wealthy writer friends; or they think that I am a poor slob, sitting for 16 hours a day at my computer—in the dark because I can’t afford electricity—begging the gods to inspire me to greatness, praying that I will receive money from somewhere so that I can stop avoiding my landlord and finally pay my bills.

The truth—probably for most freelance writers—is less cliché than that. The truth is that since I became a freelance writer I have paid my rent and my bills every month. I occasionally have lunch with friends, but not too often because I still have to make a living. I spend approximately five hours a day writing and spend another three hours researching for articles or marketing myself.

Now, the goal, of course, is to make more money. I’ve been a freelance writer for a few years now and although I’ve managed to pay my bills on time, every time, I’m not exactly getting ahead.

Cat on computer

My cat thinks I'm so wealthy he can rest on my computer

So, to use a phrase that I used in a previous blog post, I’m treading water. If I were to guess, I would say that a lot of freelance writers are treading water. Why? Maybe it’s because we are used to not making a lot of money. Maybe it’s because we know that it could be worse—we could be the person unable to pay the bills, writing by candlelight because there’s no electricity—so we’re happy just to pay the bills.

Maybe it’s because we’re so desperate to ensure we have money coming in that we’re unwilling to charge what we’re really worth. That’s a valid concern because there are always people willing to charge less. The problem is that it becomes a terrible cycle of underbidding each other until we’re all writing 10,000-word articles for $100 and thanking the publisher for giving us “exposure”.

The thing about treading water (yes, I’m sticking with the treading water theme) is this: If you only ever tread water, you’ll never get back to the shore. You may keep your head up, indefinitely, but at any time your legs could get tired and that’ll be it. You’ll never really get to where you’re going. In fact, you’ll never get anywhere.

It’s time to charge what you’re worth, not what you think the next guy over is charging. If you’re good at what you do, your clients will come back. And you won’t have to work nearly as hard to make that next $100. Think about how much time you spent to make that $100—all the research, writing, rewriting and editing that went into it. At the end of it, you may have earned less than minimum wage. The thing is, you’re worth so much more. Being a writer doesn’t mean being a slave for the next $100.

Treading water is okay, for a while, but getting to the other side, making more money, is so much better.

In the interest of making more money, I highly recommend Paul Lima’s book, “Everything You Wanted to Know About Freelance Writing…” which actually includes two of his books, “The Six-Figure Freelance: How to Find, Price and Manage Corporate Writing Assignments,” & “Business of Freelance Writing: How to Develop Article Ideas and Sell Them to Newspapers and Magazines.” I’m working my way through “The Six-Figure Freelancer,” and it really is a wonderful book, full of fantastic advice and tasks you can do to determine how much you should charge. His book can be bought at www.paullima.com.

I’ve purchased a copy of “The Wealthy Freelancer,” by Steve Slaunwhite, Ed Gandia and Pete Savage. I haven’t received it yet, but I’m following these guys on Twitter and I like what I’ve seen so far. My feeling is that this book is worth a read, too. I’ll let you know more when I’m done. The Wealthy Freelancer can be bought at thewealthyfreelancer.com.

Follow

Get every new post delivered to your Inbox.

Join 141 other followers